Let’s rejoice and be happy – Hava Nagila הבה נגילה

Hava Nagila is a Hebrew folk song, the title meaning “Let us rejoice”. Though the melody is an ancient one of folk origin, the commonly used lyrics were written by the Jewish Latvian musicologist, Abraham Zevi ldelsohn, in 1918, to celebrate the British victory in Palestine during World War I as well as the Balfour Declaration (on the partitioning of the Ottoman Empire, and British government support for a Jewish national home in Palestine, with the condition that nothing should be done which might prejudice the rights of existing communities there).

Perhaps the non-Jewish musician who did the most to populariseHava Nagila around the world was Harry Belafonte. In his live performances, he used Hava Nagila as his regular closing number because of its uplifting melody and hopeful, brotherly lyrics. His 1959 Carnegie Hall live concert recording became a best-selling record (and one I grew up hearing).

Let’s rejoice
Let’s rejoice
Let’s rejoice and be happy

Let’s sing
Let’s sing
Let’s sing and be happy

Awake, awake, brothers!
Awake, awake, brothers!
Awake brothers with a happy heart

Awake, brothers!
Awake, brothers!
With a happy heart

====================

בואו נשמח
בואו נשמח
בואו נשמח ונהיה מאושרים

בוא נשיר
בוא נשיר
בואו נשיר ונשמח

ער, ער, אחים!
ער, ער, אחים!
להעיר אחים עם לב שמח

ערים, אחים!
ערים, אחים!
עם לב שמח

 

Secrets silence

Mihran Kalaydjian Beethoven’s 5 Secrets silence

“Don’t only practice your art, but force your way into its secrets, for it and knowledge can raise men to the divine.”

“Ludwig van Beethoven”

Sway Medley Classical

Mihran Kalaydjian Sway Medley Live

Location: San Francisco, CA

Honor Guest: Armenian Guitarist Aram

Mino Element Band Members

Aram Kasabian – Lead Guitar
Sevan Manoukian – Drummer
Hratch Panossian – Bass
Samer Khoury – Violin
Tony Amer – Saxophone
Haim Cohen – KeyBoard
Albert Panikian – Trumpet
Nicole Del Sol – Percussion
Dana Debos – Trombone

“Sway”

When marimba rhythms start to play
Dance with me, make me sway
Like a lazy ocean hugs the shore
Hold me close, sway me more

Like a flower bending in the breeze
Bend with me, sway with ease
When we dance you have a way with me
Stay with me, sway with me

Other dancers may be on the floor
Dear, but my eyes will see only you
Only you have that magic technique
When we sway I go weak

I can hear the sounds of violins
Long before it begins
Make me thrill as only you know how
Sway me smooth, sway me now

Other dancers may be on the floor
Dear, but my eyes will see only you
Only you have that magic technique
When we sway I go weak

I can hear the sounds of violins
Long before it begins
Make me thrill as only you know how
Sway me smooth, sway me now

When marimba rhythms start to play
Dance with me, make me sway
Like a lazy ocean hugs the shore
Hold me close, sway me more

Like a flower bending in the breeze
Bend with me, sway with ease
When we dance you have a way with me
Stay with me, sway with me

When marimbas start to play
Hold me close, make me sway
Like an ocean hugs the shore
Hold me close, sway me more

Like a flower bending in the breeze
Bend with me, sway with ease
When we dance you have a way with me
Stay with me, sway with me

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

© 2015 Paramount Studios& Element Band All Rights Reserved

The Real Neat Blog Award

 

Once again I’m humbled to have been honored with a nomination for The Real Neat Blog Award  by not just one, but two awesome blogs!  Every blog award I receive means so much to me, it really does!

I have been presented with a wonderful little blog award by the incomparable Ritu Bhathal, a talented author of smexy historical romances,a  raconteur and all round fabulous gal. She has passed the baton over to me to be another  keeper of the Real Neat Blog Award.

– Huge Thanks to the awesome Ritu Bhathal-

Awarded 27/3/15

Well, anyway…
Here are the rules:

  1. Put the award logo on your blog.
  2. Answer 7 questions asked by the person who nominated you.
  3. Thank the people who nominated you, linking to their blogs.
  4. Nominate any number of bloggers you like, linking to their blogs.
  5. Let them know you nominated them (by commenting on their blog etc.)

 

To Ritu Bhathal – I am deeply grateful and humbled by this honor.

Thank you

https://butismileanyway.wordpress.com/2015/03/27/the-real-neat-blog-award-2/

 

 

Mihran Kalaydjian Performing She Left Me Alone

Melody: She Left Me Alone
Lyrics: Edward Khoury & Elias Bandak
Music Arrangements: Edward Khoury
Pianist: Mihran Kalaydjian ” Mino”
Record Labels: Paramount Studios
Location: San Fransisco

She left me and left me alone, she forgot the man she loved; she hurt me and hurt my life.

She left me, she forgot the man she loved, and she hurt me and hurt my life

The love is in my heart for you
It was found there, unconditional and true,
I flutter in the seventh heavens clouds
The lands of pink roses and sugar mounds,

The key to my heart has rested there,
Bursts of heat and sticky sweat love fill the air,
My lungs filled with the scent of love,
And you giving soul lifting me above.

Please Join me on Facebook!

I would like to appreciate all those who like my page Piano Melodies Page.  Again much appreciated, all the best to you all!  I’d like to thank everyone from the bottom of my heart for joining my fanpage. It means so much to me.

Kindly support me on Facebook Fanpage. Appreciate if you could please ‘like’ my page :

https://www.facebook.com/pages/Mihran-Kalaydjian-Piano-Melodies/551764811595468

 

 

IT TAKES TWO TO TANGO

IT TAKES TWO TO TANGO LYRICS

 

imagesCAJT32YE

it takes two to tango

you tell me that he really hurt you
hurt you, oh, so bad
you wonder how he could desert you
god, he made you mad
were you nothing but a victim
did you never have a choice
it takes two to tango
didn’t you wear familiar clothes
the ones you wear so well
didn’t you blush just like a rose
on your way to hell
were you nothing but a victim
did you never have a choice
it takes two to tango
were you nothing but a victim
did you never have a choice
it takes two to tango
weren’t you once head over heels
weren’t you, oh, so sure
if she’s to blame for how you feel
who will be the cure
were you nothing but a victim
did you never have a choice
oh, it takes two to tango
hey, now, even if your arm was twisted
what happened to your voice
oh, it takes two to tango